Artist Statement
I create illustrations that explore everyday objects, spaces, and rituals of the gay experience. It began as an escape from my work as a concept designer in corporate entertainment, where I made plenty of work that bore little resemblance to my actual life as a gay man. “Is this all there is?” I kept thinking.
Embracing all that I am now, the work I make is pure personal expression. Shaped by three decades of questioning my own existence and observing the gays in their natural habitats, the pieces are mostly stories I want to tell and things I’ve been wanting to say. I used to suppress all that. It sounds cliché, but I believe the key to my work lies in the mundane, something I find endlessly amusing. The more I look, the more I see. The more answers I find, the more everything makes sense. I’m hooked.

2026
Bio
It was the 90s, and growing up gay in the LA suburbs was nothing I’d want to repeat. Being 1st-generation Chinese American, I was handed two impossible life assignments: make the family proud, and don’t be gay. I failed both. Bullied from within and outside the home, I turned to art for solace.
After graduating from ArtCenter College of Design, I spent the next decade dreaming up fantasy worlds for the entertainment industry—lucrative, often thrilling work, but devoid of anything that resembled my actual life. In 2019, I sold my condo and left the industry to embark on a self-experiment: strip away all non-essentials and see what I’d make on my own terms. This time, without the golden handcuffs.
I work in multiple mediums—oil, acrylic, watercolor, graphite, ink, and digital media—choosing whichever best carries out the idea.
Based in Los Angeles.
My work has been exhibited internationally, including at Palazzo Merulana in Rome as part of Pride Month celebrations, and at the Bakersfield Museum of Art, where Limp Wrist entered their permanent collection in 2024. In Los Angeles, I’ve shown at Jonny Cota Studio and Earl Gallery in Koreatown, and sold work in seven art markets across the city in late 2025.
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